Measured colour · per model
L* 47.3–56.8measured from the physical plank · locked reference
The on-screen value identifies the record; the physical plank remains the material reference.
51.22° N · 4.40° E · Antwerp, Belgium
Antwerp1014
A deeply textured oak — where the grain is the point.
Outcomewhat you're solvingAtmospherethe feelingWorldthe collectionModelthis floorEvidencereal projectsExecutionspecs & install
Raw, warm material — the figure is the décor, one quiet tonal mass.
THE FLOOR · SEEN UP CLOSE
The tones in this floor
Sampled from the real plank — light boards to dark, as you would lay them. Six tones, not one square.
L* 47.3–56.8
Locked colour · measured
L 47.3–56.8
Tonal range
Warm
Undertone
24
Physical scans behind it
SEE IT AT 1:1The grain and the joint, at the plank’s own scale
Original pixels — 3.95 per millimetre. Nothing enlarged, nothing retouched. The rule is printed at the plank’s own scale, so you can measure it yourself.
Move the light — the plank is measured and locked; only the light changes.
THE COLOURTobaccoMilk chocolate
WHAT THIS FLOOR ACTUALLY IS
- Handles everyday spills — kitchens and dry interiors, detailed correctly
- Water-resistant for everyday use. Not a waterproofing system. Not a flood-proof claim.
- Warm underfoot — ready for underfloor heating
- Works over underfloor heating. The planks lock to each other with a glueless click and float over the base — a fast, clean install with no adhesive, in many cases straight over an existing floor, and a single plank can be lifted and replaced later.
- Made for daily life — chairs, shoes, pets
- A hard-wearing commercial-grade surface.
- Real long planks — a calmer, continuous floor
- Full 1.83 m boards with a fine four-sided micro-bevel — our declared joint.
- Ultra-matte — reads as real floor, never plastic
- A soft matte surface with no shine.
Good to know Think twice if you want a smooth, uniform floor — this one is all character and texture.
A starting palette · one floor, five companions
Belgian minimal: hand-rubbed lime, warm limestone, an even quiet field. Black iron at the entry marks the cold-to-warm crossing.
AntwerpLimewash whiteWarm limestonePale stoneBlack iron
Antwerp floor · Limewash white · Warm limestone · Pale stone · Black iron
ANTWERP 1014 · THE WORLD
Antwerp is monastic urban warmth.
Brick, bluestone, lime-clay surfaces and diffuse Belgian light that let a textured oak floor read as matter, not decoration.
The light
Light is mostly diffuse and cool, often overcast, which makes surface sheen immediately too loud. Interiors here absorb light into brick, plaster and timber instead of bouncing it. Low winter sun draws a fine shadow off texture and bevels.
The materials beside it
Handmade brick, Belgian bluestone, lime-clay or kalei walls, oak, linen, chalk, bronze-black metal and muted plaster tones. The palette stays warm but compressed. Nothing breaks the room into bright separate pieces.
Why this floor belongs
Antwerp 1014 belongs because its warm, characterful oak can operate as the room's monastic horizontal datum: tactile, matte and dense enough to sit beside brick and bluestone without seeking contrast. The floor gives warmth, but in Antwerp that warmth must stay compressed and architectural. The result is soul over postcard: place enters through material gravity and restraint.
The floor under this world stays the real one: Antwerp 1014, colour measured from the physical plank — the world is read through the model.
ANTWERP 1014 · PROOF CENTER
One model. One proof center.
The measured colour, construction sections, printable specification and evidence standing — together, without turning a family report into a model-specific claim.
Construction sections
Ultra-matte surface0.55 mm wear layerDécor layerRigid SPC coreIXPE pad
Files · ready to use
Evidence standing
- Measured colour
- On file · per model
- Technical reports
- On request · Navigation product-family scope
- Model- or batch-specific lab report
- Not claimed
- Current-range declaration
- In preparation
Also made in herringbone
The same floor, cut short.
Identical décor, identical measured colour, identical build — cut to 100 × 600 mm and laid one piece to an arm.
FOR ARCHITECTS · THE MEASURED SIGNATURE
- Colour calibration
- Instrument-measured · not judged by eye
- Fidelity
- Locked to the physical model · unretouched
- Tonal range
- Preserved in full — light to dark
- Temperature
- position 15 of 18 · coolest to warmest · from b*
- Lightness
- position 6 of 18 · darkest to lightest · from L*
- Saturation
- position 15 of 18 · most muted to richest · from C*ab
- Construction
- Engineered SPC rigid-core
- Documents
- Test reports at product-family scope, on request
The three positions are derived from the locked colour of all 18 models — b*, L* and C*ab of the instrument reading. They place this floor in the collection; they are not a rating.
Measured, again and again — the readings converge on one.
Specification clause · ready to paste
CARETTA Antwerp (1014) — engineered SPC rigid-core flooring, 1830 × 228 mm, 7.0 mm overall, 0.55 mm wear layer, underfloor-heating compatible. Rigid core, décor layer and wear layer; ultra-matte surface with a four-sided micro-bevel. Floating click installation. Water-resistant rigid core for everyday use; the installed floor is not a waterproofing system. Test reports at product-family scope and the measured colour reference issued to specifiers on request.
BEFORE YOU ASK · WHAT A QUOTE HERE MEANS
A quote is a plan, not a number in the air.
What it includes
A quote is itemised line by line — boards for your area, edge and threshold profiles, and anything else the job needs. Nothing bundled, nothing assumed.
How it arrives
Send the rooms and their approximate area — by form or WhatsApp. A person, not an autoresponder, replies personally with the itemised quote.
Why no public price list
A floor is priced from its specification: the model, the area, the condition of the existing base and the finishing details. A number published before those are known would be a guess — we don’t guess. Asking costs nothing and commits you to nothing.
ANTWERP 1014 · 51.22° N · 4.40° E
Some floors are a surface. This one is a material.
A warm, deeply textured oak where the grain is the point. It sits at one quiet density with brick and plaster, raw and real, never decorated.
The eye decides. Here the hand agrees.
Chalk kalei · blue-grey stone · dark ash
A person replies — never an autoresponder
